Title – Wendy (2020)
Director – Benh Zeitlin (Beasts of the Southern Wild)
Cast – Devin France, Yashua Mack, Gage Naquin, Gavin Naquin
Plot – A reimagined version of the Peter Pan tale as young girl Wendy (France) and a collection of her childhood friends find themselves on a mysterious island where time and aging act differently to our world, preserving their childhood but creating dangers in other ways.
“All children grow up”
Review by Eddie on 12/10/2020
Peter Pan done the way of Terrence Malick, Wendy is a version of the classic fantasy tale like we’ve never seen before but despite its visual beauty and moments of captivating magic, Benh Zeitlin’s return to the directors chair for the first time since 2012’s Beasts of the Southern Wild is a curiously misjudged experience that will leave many cold and disheartened rather than captivated and moved.
Shot on the island of Montserrat south of Antigua, in what acts as a picturesque volcanic locale captured in stunning 16mm form by Zeitlin and D.O.P Sturla Brandth Grøvlen, Wendy certainly feels larger than its small-scale $6 million budget would suggest on paper but Zeitlin’s re-imagining of J.M Barrie’s tale of the Peter and the Lost Boys lacks a certain something that would’ve gripped us in its tale of Devin France’s Wendy and her adventures on the beautiful but dangerous island she finds herself on after venturing far from home.
Not too interested in a backstory leading up to the point where Wendy and her neighborhood friends join Yashua Mack’s Peter on board a train then a dingy boat sailing towards Peter’s home on the island paradise, where magical whales, grumpy old souls and ageless magic exists, the film features whimsy and Where the Wild Things Are like musings on growing old and the special time that childhood is but we never feel drawn to the characters in the film and Wendy often feels like a splattering of captivating imagery and moments around a far from engaging story.
Slow moving throughout, Wendy is in no rush to tell its tale and you can’t help but feel as though around the half-way mark of the films 110 minutes that you’ve begun to see it all, Zeitlin feels unable to capture new magic as Wendy and her posse of fellow children meander from scene to scene with little flow or relevance from each scenario to the next, with there constantly feeling as though there are missed opportunities throughout to explore the emotional, mental anguish and ecstasy that such a magical place could draw out from its inhabitants.
You can’t fault Zeitlin for trying something new and the film acts as a beautiful and almost something special example of a talented director creating a fresh spin on a frequently adapted property and his young cast try their best, especially considering many are acting for the first time but Wendy can’t overcome its various faults as its great moments get drowned out too regularly by mismanaged ideas and happenings.
Final Say –
A frustrating film to say to say the least, Wendy is at times close to greatness but more often than not falters on its quest to achieve something special with a whole new take on a beloved tale. Zeitlin no doubt has another great film in him, sadly Wendy isn’t the one.
2 glowing whales out of 5